Armature Definition In Ceramics

The armature windings conduct ac even on dc machines due to the commutator action or due to electronic commutation as in brushless dc motors.

Armature definition in ceramics.

Polishing the surface of a leather hard pot to compact it and produce and maintain a sheen at low firing. A framework basic structure that something such as a sculpture is built onto. A cream like mixture of clay and water used in the process of producing ceramic objects by means of pouring the slip into a porous mould. Ceramics vocabulary and definitions.

Create your own flash cards. Additional art design flashcards. In sculpture an armature is a framework around which the sculpture is built. Stage of drying when moisture in the clay body has evaporated so the clay surface no longer feels cold.

The armature can be on either the rotor or the stator depending on the type of electric machine. In electrical engineering an armature is the component of an electric machine which carries alternating current. Cards return to set details. Armature definition a structure created from metal wire wood bars or other kinds of supporting materials that can hold up wet plaster or clay or other types of manipulative mixed media materials in order to assist an artist in the building of his her sculpture.

In chemistry it is a compound usually having a sour taste and capable of neutralizing alkalis and reddening blue litmus paper also containing hydrogen that can be replaced by a metal or an electropositive group to form a salt or containing an atom that can accept a pair of electrons from a base. The magnetic field is generated either by permanent. A support or frame used when sculpting clay. Click here to study print these flashcards.

Acidic oxides in pottery acids are used in slips and glazes. This framework provides structure and stability especially when a plastic material such as wax newspaper or clay is being used as the medium. Armature for a classical pose of a figure holding a lyre. When this armature has been fixed the artificer begins to take some fine earth beaten together with horse dung and hair as i said and carefully lays a very thin coating all over which he allows to dry and so on time after time with other coatings always allowing each to dry until the figure becomes covered with earth raised to the thickness of half a span at the most.

When sculpting the human figure the armature is analogous to the major skeleton and has essentially the same. The armature windings interact with the magnetic field in the air gap.